Stede Bonnet, the Gentleman Pirate Biography

Major Stede Bonnet (1688-1718) was known as the Gentleman Pirate. Most of the men associated with the Golden Age of Piracy were reluctant pirates. They were desperate but skilled sailors and brawlers who either could not find honest work or who were driven to piracy by the inhuman conditions onboard merchant or navy ships at the time. Some, like Black Bart Roberts, were captured by pirates, forced to join, and found the life to their liking. Bonnet is the exception. He was a wealthy planter in Barbados who decided to outfit a pirate ship and set sail for riches and adventure. It is for this reason that he is often referred to as the Gentleman Pirate. Fast Facts Known For: PiracyAlso Known As: The Gentleman PirateBorn: 1688, BarbadosDied: December 10, 1718, Charleston, North CarolinaSpouse: Mary Allamby Early Life Stede Bonnet was born in 1688 to a family of wealthy English landowners on the island of Barbados. His father died when Stede was only six years old, and he inherited the family estates. He married a local girl, Mary Allamby, in 1709. They had four children, of whom three survived to adulthood. Bonnet served as a major in the Barbados militia, but it is doubtful that he had much training or experience. Sometime in early 1717, Bonnet decided to abandon his life on Barbados completely and turn to a life of piracy. Why he did is unknown for certain, but Captain Charles Johnson, a contemporary, claimed that Bonnet found â€Å"some discomforts in a married state† and that his â€Å"disorder of mind† was well known to the citizens of Barbados. The Revenge Bonnet purchased a seaworthy 10-gun sloop, named her the Revenge, and set sail. He apparently implied to local authorities that he was planning on serving as a privateer or even a pirate-hunter while he equipped his vessel. He hired a crew of 70 men, making it clear to them that they would be pirates, and found himself some skilled officers to run the ship, as he himself had no knowledge of sailing or pirating. He had a comfortable cabin, which he filled with his favorite books. His crew thought him eccentric and had little respect for him. Piracy Along the Eastern Seaboard Bonnet jumped into piracy with both feet, quickly attacking and taking several prizes along the eastern seaboard from the Carolinas to New York in the summer of 1717. He turned most of them loose after plundering them but burned a ship from Barbados because he didn’t want news of his new career to reach his home. Sometime in August or September, they sighted a mighty Spanish man-o-war and Bonnet ordered an attack. The pirates were driven off, their ship was badly beaten, and half of the crew dead. Bonnet himself was badly injured. Collaboration with Blackbeard Not long afterward, Bonnet met Edward Blackbeard Teach, who was just then setting out as a pirate captain in his own right after having served for some time under the legendary pirate Benjamin Hornigold. Bonnets men begged the capable Blackbeard to take over the Revenge from the unstable Bonnet. Blackbeard was only too happy to oblige, as the Revenge was a good ship. He kept Bonnet on board as a guest, which seemed to suit the still-recovering Bonnet just fine. According to the captain of a ship plundered by the pirates, Bonnet would walk the deck in his nightgown, reading books and muttering to himself. The Protestant Caesar Sometime in the spring of 1718, Bonnet struck out on his own again. By then Blackbeard had acquired the mighty ship Queen Annes Revenge and didnt really need Bonnet anymore. On March 28, 1718, Bonnet once again bit off more than he could chew, attacking a well-armed merchantman named the Protestant Caesar off the coast of Honduras. Again, he lost the battle and his crew was extremely restless. When the encountered Blackbeard again soon after, Bonnets men and officers begged him to take command. Blackbeard obliged, putting a loyal man named Richards in charge of the Revenge and inviting Bonnet to stay on board the Queen Annes Revenge. Split with Blackbeard In June of 1718, the Queen Annes Revenge ran aground off the coast of North Carolina. Bonnet was sent with a handful of men to the town of Bath to try and arrange a pardon for the pirates if they would give up their thievery. He was successful, but when he returned he found that Blackbeard had double-crossed him, sailing off with some of the men and all of the loot. He had marooned the remainder of the men nearby, but Bonnet rescued them. Bonnet swore revenge, but never again saw Blackbeard, which was probably just as well for Bonnet. Captain Thomas Alias Bonnet rescued the men and set sail once again in the Revenge. He had no treasure or even food, so they needed to return to piracy. He wished to preserve his pardon, however, so he changed the name of the Revenge to the Royal James and referred to himself as Captain Thomas to his victims. He still didnt know anything about sailing and the de facto commander was quartermaster Robert Tucker. From July to September 1718 was the high point of Bonnets piratical career, as he captured several vessels off of the Atlantic seaboard during this time. Capture, Trial, and Execution Bonnets luck ran out on September 27, 1718. A patrol of pirate bounty hunters under the command of Colonel William Rhett (who was actually looking for Charles Vane) spotted Bonnet in the Cape Fear River inlet with two of his prizes. Bonnet tried to fight his way out, but Rhett managed to corner the pirates and capture them after a five-hour battle. Bonnet and his crew were sent to Charleston, where they were put on trial for piracy. They were all found guilty. A total of 22 pirates were hanged on November 8, 1718, and more were hanged on November 13. Bonnet appealed to the governor for clemency and there was some discussion of sending him to England. In the end, he, too, was hanged on December 10, 1718. Legacy of Stede Bonnet, Gentleman Pirate Stede Bonnets story is a sad one. He must have been a very unhappy man indeed on his prosperous Barbados plantation in order to chuck it all for the life of a pirate. Part of his inexplicable decision was leaving his family behind. After he set sail in 1717, they never saw one another again. Was Bonnet lured by the supposedly romantic life of the pirates? Was he nagged into it by his wife? Or was it all due to the disorder of mind that so many of his Barbados contemporaries noted in him? Its impossible to tell, but his eloquent plea for compassion to the governor seems to imply genuine regret and contrition. Bonnet wasnt much of a pirate. When they were working with others, such as Blackbeard or Robert Tucker, his crews managed to capture some genuine prizes. However, Bonnets solo commands were marked by failure and poor decision making, such as attacking a fully armed Spanish man-o-war. He did not have a lasting impact on commerce or trade. The pirate flag usually attributed to Stede Bonnet is black with a white skull in the center. Below the skull is a horizontal bone, and on either side of the skull, there was a dagger and a heart. It is not known for certain that this is Bonnets flag, although he is known to have flown one in battle. Bonnet is remembered today by pirate historians and aficionados mostly for two reasons. First of all, he is associated with the legendary Blackbeard and is a part of that pirates larger story. Second, Bonnet was born wealthy, and as such is one of the extremely few pirates who deliberately chose that lifestyle. He had many options in his life, yet he chose piracy. Sources Cordingly, David. Pirates: Terror on the High Seas-From the Caribbean to the South China Sea. Hardcover, 1st edition, Turner Pub, October 1, 1996. Defoe, Daniel. A General History of the Pyrates. Hardcover, New edition edition, Dent, 1972. Konstam, Angus. The World Atlas of Pirates: Treasures and Treachery on the Seven Seas--in Maps, Tall Tales, and Pictures. Hardcover, First American Edition edition, Lyons Press, October 1, 2009.

A Midsummer Night s Dream By William Shakespeare

The relationships in Shakespeare’s A Midsummer Night’s Dream are patriarchal. Even though the lovers try to go against the societal norm by running away to the forest, their inherited characteristics keep them trapped in the patriarchal way. The four lovers, Hermia, Lysander, Helena, and Demetrious, present a love that shows how the women remain loyal to their men through testing trials. Titania and Bottom have an unconventional relationship that is caused by love juice which provides the fulfillment of woman to man. Shakespeare uses the relationship between Titania and Bottom to emphasize the man’s status over a woman in a patriarchal society. To do this, he illustrates how a woman should dote upon her man by fulfilling his fantasies and†¦show more content†¦Ironically, Helena is the woman that Demetrius ends up with. Even though he repeatedly scorned her love for him and was chasing after Hermia, she was still happy to be married to him. Oberon is veng eful of Titania because she wounded his ego. Thus, he put the love potion on her eyes to make her appreciate him more by hopelessly falling in love with an ass although he, himself, is already an ass that she loves. Bottom represents all of the men at once because he not only has an ass-like personality but literally has an ass’s head. When Bottom first encounters Titania in Act 3, Scene 1, he is blissfully unaware of his appearance and of who Titania is. Having the ass-like quality that the men share, Bottom is able to take advantage of the situation without remorse. The men’s egos make them think that they are so desirable that they can get any woman they want without appreciating what they have already got. The women are strong willed characters but yet, are bound to the confinements of the patriarchal society. They remain in their patriarchal roles because they are in love with the men which keeps them devoted to their men’s needs no matter what. Lysander abandons Hermia and says cruel things to her so that he can be with Helena. Hermia stays loyal to him and blames Helena for tricking Lysander into loving her instead of blaming Lysander. Demetrius treats Helena like she is an animal and she not only allows it but tells A Midsummer Night s Dream By William Shakespeare What types of dream really impress you in your life? Would that be funny dreams, weird dreams, scary dreams, risque dreams, dramatic dreams, life-changing dreams, and even lucid dream stories. As a matter of fact, people’s dreams can be a kind of illusion because dreams skew their daily life into confusion—people cannot recognize reality and unreality easily. Similarly, love not only is imaginative, but also can make people get confused just like dream. The comedic, fantastic and romantic play A Midsummer Night’s Dream written by William Shakespeare, includes five acts and nine scenes. Basically, the story talks about several main characters—Hermia, Helena, Lysander and Demetrius—who encounter a lot of†¦show more content†¦Lysander gets married to Hermia. Also, Demetrius gets married with Helena. In the play Midsummer Night’s Dream by Shakespeare, although each scene is presented to show the love, the most significant plot of t he play is Act 3(scene 2) because it mainly involves several main characters—Puck, Hermia and Helena, some actions and the setting in order to illustrate that love is the fantasy of dream. To begin with, in Midsummer Night’s Dream’s, Act 3(scene 2) is the most significant plot because it involves a character such as Hermia who indicates that people pursue love with any cost. The whole story begins with Hermia because her father Egeus wants her to marry to a man—Demetrius whom she does not love. In Act 1(scene 1), Hermia asks Theseus the worst thing that could happen if she rejects to marry Demetrius. Theseus responds that â€Å"Either to die the death, or to abjure/ For ever the society of men.† Then, Hermia said that â€Å"Ere I will yield my virgin patent up/ Unto his lordship, whose unwished yoke/ My soul consents not to give sovereignty.† Hermia declines to marry other men except Lysander. As a consequence, Hermia decides to run aw ay with Lysander in order to get rid of the Athenian law. Then, Helena and Demetrius follow them to the forest because they want to stop the escape. Moreover, Hermia would sacrifice any cost to achieve her accomplishment because she is eager to obtain her true love. In this case, Shakespeare wants to A Midsummer Night s Dream By William Shakespeare Meeting your truelove sounds like a fantasy, right? It doesn’t seem possible or even attainable in the least this day in time, but Shakespeare’s work has still given us that hope that someday we will be loved the way that we love others themselves. In â€Å"A Midsummer Night’s Dream,† it seems as if there is an endearing ending, but so much lies between Act 1 and Act 5 to have it end the way it does. In this play, there is a complicated romance and friendship between four couples that also illustrates sexual desires and a woman’s submission to a man. To further illustrate, we must first start with Act 1, Scene 1 for the first two â€Å"lovers† that are introduced. Theseus, the duke of Athens, has just returned from the war against the Amazons and†¦show more content†¦Hermia has a choice to make after Egeus speaking with Theseus about whom she will marry if marry at all. Theseus says to Hermia, â€Å"To fit your fancies to your fathe r’s will, / Or else the law of Athens yields you up / (Which by no means we may extenuate) / To death, or to a vow of single life (1.1.118-121).† She has the choice to either marry Demetrius, become a nun, or even die if she chooses neither. Being young and in love, her and Lysander choose to run away and elope, meeting later in the forest that night. It would have worked out for the couple except for one remaining factor that brought further complications to their love. Hermia’s best friend, Helena, meets Hermia before Hermia runs away to the forest to meet Lysander. Helena is in love with Demetrius, but he no longer feels the same way for her anymore and instead wants Hermia. Being lovesick, Helena is willing to do anything to have Demetrius love her again, even if it means going behind her friends back. Helena decides to let Hermia and Lysander go but tell Demetrius, hoping he will fall back in love with her. Hermia hoped that by confiding in her friend that i t would cheer her up saying that Demetrius would not worry about Hermia when she was gone, but Helena so desperate decided to take matters into her own hands (Kerr). Leading into the forest where Hermia and Lysander meet, Demetrius and Helena are not far behind lookingShow MoreRelatedWilliam Shakespeare s A Midsummer Night s Dream1339 Words   |  6 PagesHonors For A Midsummer Night s Dream By William Shakespeare 1. Title of the book - The title of the book is called A Midsummer Night s Dream by William Shakespeare. 2. Author s name - The author of the book A Midsummer Night s Dream is William Shakespeare. 3. The year the piece was written - A Midsummer Night s Dream by William Shakespeare was believed to have been written between 1590-1596. 4. Major Characters - There are three major characters in the book A Midsummer Night s Dream by WilliamRead MoreA Midsummer Night s Dream By William Shakespeare1882 Words   |  8 PagesWritten during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment. During the Elizabethan Era, and present throughout MNDRead MoreWilliam Shakespeare s A Midsummer Night s Dream1474 Words   |  6 Pagesinstance, one could look at the movies A Midsummer Night’s Dream and Shakespeare in Love. The latter follows the life of William Shakespeare himself, everything from his love affair with Viola de Lesseps to his creation of Romeo and Juliet. A Midsummer Night’s Dream, is one of the most famous plays of Shakespeare’s, revolving around the tumultuous relationships of four lovers, aided, and sometimes thwarted by the mischief of fairies. Although Shakespeare in Love outlines a few of the characteristicsRead MoreWilliam Shakespeare s A Midsummer Night s Dream1548 Words   |  7 Pagesspoken by Helena in Act 1 Scene 1 line 234, explains that it matters not what the eyes see but what the mind thinks it sees. In the play, A Midsummer Night s Dream, written by William Shakespeare, there are several instances where the act of seeing is being portrayed. The definition of vision is the ability to see, something you imagine or something you dream. This proves that even though one has the ability to see; the mind tends to interfere and sometimes presents a different picture. VariousRead MoreWilliam Shakespeare s A Midsummer Night s Dream867 Words   |  4 Pagesspecifically how they will benefit that other person, you’re in love.† In A Midsummer Night s Dream, William Shakespeare intertwined each individual characters. Through the concept of true love and presented to the audiences a twisted yet romantic love story. The love stories of Renaissance are richly colorful, so Shakespeare used multiple literary techniques to present to the readers a vivid image of true love. Shakespeare applied metaphor in the lines of Lysander. In Act 1, scene 1, Lysander saysRead MoreWilliam Shakespeare s A Midsummer Night s Dream990 Words   |  4 PagesSymbols in William Shakespeare’s A Midsummer Night’s Dream Symbols help to play an important part in giving a deeper meaning to a story. William Shakespeare uses a variety of symbols in his play A Midsummer Night’s Dream and by using these symbols he offers some insight onto why certain events take place in the play. Symbols are sometimes hard to decipher but as the reader continues to read the symbol’s meaning might become more clear. Shakespeare uses a variety of symbols in A Midsummer Night’s DreamRead MoreWilliam Shakespeare s A Midsummer Night s Dream1397 Words   |  6 PagesShakespeare’s comedies, like those of most Renaissance playwrights, involve love and its obstacles. Much of the comedy in A Midsummer Night’s Dream derives from the attempt of Lysander and Hermia to remain together while overcoming the adult authority figure who attempts to hinder the love of a young couple. The overcoming of an obstacle functions as a common motif in Renaissance comedy. The audience must wonder, however, whether Lysander and Hermia, as well as Demetrius and Helena, actually loveRead MoreWilliam Shakespeare s A Midsummer Night s Dream1207 Words   |  5 PagesWilliam Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerousRead MoreWilliam Shakespeare s A Midsummer Night s Dream1277 Words   |  6 Pagestogether. Nor will love ever be a controllable compulsion. Maybe we are fools for going into the perilous, eccentric universe of love; yet what fun would life be without it? William Shakespeare s play A Midsummer Night s Dream investigates the unconventional, unreasonable and unpredictable nature of love during his time. Shakespeare conveys this through the main plot of the play, which is composed of the relationships between three couples. The three couples show examples of three different types ofRead MoreWilliam Shakespeare s A Midsummer Night s Dream1442 Words   |  6 Pages William Shakespeare is estimated to have lived from 1564 to about 1616. He is often recognized as great English poet, actor, and playwright, and paved the way for many on all of those categories. Over that span he wrote many pieces that are still relevant today such as Romeo and Juliet, Hamlet, and Macbeth. I would like to take a deeper look into one on his pieces â€Å"A Midsummers Night’s Dream.† This piece is estimated to have first been preformed in about 1595 and then later published in 1600. Many A Midsummer Night s Dream By William Shakespeare Love does not run smoothly for the lovers in the romantic comedy, â€Å"A Midsummer Night’s Dream,† written between the years 1590–1596 by the prominent, English playwright; William Shakespeare. The play revolves around four lovers that each faces incessant complications for love. Demetrius, Hermia, and Lysander are trapped in a triangle of love in which Demetrius and Lysander both love Hermia, but Hermia’s heart only belongs to Lysander. Helena is not involved in the love triangle, but loves Demetrius, which—traditional to any love predicament—does not love her back. To Demetrius’ avail, Hermia’s father [Egeus] tries to coerce Hermia to marry his choice [Demetrius] or yield to the law of Athens and face the sanction of death or (suggested by†¦show more content†¦The newlyweds get a good laugh out of the comically maladroit performance put on by the mechanicals that also experienced complications due to the fairies†™ meddling. In â€Å"A Midsummer’s Night’s Dream,† the love amongst the couples is embodied through its coarseness and convolution, along with the fact that no couple has it easy with love and how many do not clearly epitomize the quintessence of true love and a healthy relationship. Helena is excessively tenacious to get Demetrius’ love and takes extreme measures to obtain his love; Theseus regards Hippolyta as a military coup; and Oberon feels and exercises presumptuous superiority over Titania. The relationship between Demetrius and Helena goes back before the play even commences. They are in love with each other up until Demetrius lays his eyes on Hermia whereby he is instantly dumbfounded by her beauty and drops Helena for Hermia immediately. First of all, this shows how inconstant and erratic Demetrius’ emotions are and how he does not know what he truly desires. When Helena says, â€Å"Love looks not with the eyes, but with the mind† (1:1, 237), she is elucidating how love does not look with logic and coherent rationale, but with imagination. Hermia does not love Demetrius whereas Helena does; however, despite this fact, Demetrius still yearns for Hermia’s heart. Helena alleges that Hermia’s image has blinded Demetrius and has A Midsummer Night s Dream By William Shakespeare Millennials of today are growing up in a technologically adept time where replication of the latest trends is considered the key to success. Shakespeare, the playwright of A Midsummer Night’s Dream, is infamous for his angst and lament, as well as his numerous depictions of love and romance. In his play, one of the most apparent perspectives of love is that genuine love is a force so powerful, that it can not be imitated, replicated or enforced. One of the most profound examples of forced love in the play is exhibited through the relationship between Hermia and Demetrius, two Athenians who are being forced to be married by Hermia’s father, Egeus. In their relationship, only one of the parties is consenting to this arranged marriage:†¦show more content†¦In A Midsummer’s Night Dream, written in the year 1600, one of the main conflicts of the play is a result of the unhappiness that results from a forced marriage. The surmised engagement is between the fai rest women in all of Athens, Hermia, and the handsome and affluent, Demetrius. Demetrius is the man who gained Hermia’s father’s permission to marry her, but simultaneously not winning her affections, ‘’Ere I will my virgin patent up Unto his lordship, whose unwished yoke My soul consents not to give sovereignty’’ (Shakespeare I.I.80-83). Because Hermia was willing to disobey her father (a true crime considering in the year 1600, women were considered the property of men), and refuse to marry Demetrius, she said that she would rather become a nun than marry him. Despite Demetrius being well off, and charming, Hermia could not help but to fall in love with an equally derived man, whose only fault was not having her father’s consent: Lysander. Although in Athens in the year 1600, a forced marriage would be seen as the elitist societal norm, in today s Western culture, this is considered a violation of one’s freedoms and rights. Wh ile some people may choose to continue their cultural traditions to have their marriages arranged for them, or rather just be rid of the stress to find the perfect compatible partner, both parties of the people A Midsummer Night s Dream By William Shakespeare A Midsummer Night’s Dream by William Shakespeare uses different types of characters to portray different kinds of love. Lysander and Helena, the young lovers, and Oberon and Titania, the Fairy King and Queen, have different definitions of love in their relationship. Lysander and Helena have a pure, matter-of-fact connection. They are in love by default, simply because that is ingrained into their characters. Oberon and Titania, however, have a relationship built more on the basis of control. They play games with each other, trying to get the upper hand in the relationship. In the end, one being in control is more attractive to Oberon than the actual connection between the people in the relationship. This is what draws him to Helena, who possesses a naive and superficial love for Demetrius. Helena is more obsessed with Demetrius than truly in love with him, as there does not seem to be much basis for her infatuation. In the process of loving Demetrius, she deprecates her own ch aracter. Oberon appreciates the devotion Helena has for Demetrius and wishes Titania had her qualities, so he pities her, and assists with her conquest of Demetrius. However, his process takes Demetrius’s will away, much like how Oberon sought to humiliate Titania. Although the happy ending is with Helena and Demetrius together, their relationship is more similar to that of Bottom and Titania than Hermia and Lysander, which is what the audience is supposed to infer by their placement in the story.Show MoreRelatedWilliam Shakespeare s A Midsummer Night s Dream1339 Words   |  6 PagesHonors For A Midsummer Night s Dream By William Shakespeare 1. Title of the book - The title of the book is called A Midsummer Night s Dream by William Shakespeare. 2. Author s name - The author of the book A Midsummer Night s Dream is William Shakespeare. 3. The year the piece was written - A Midsummer Night s Dream by William Shakespeare was believed to have been written between 1590-1596. 4. Major Characters - There are three major characters in the book A Midsummer Night s Dream by WilliamRead MoreA Midsummer Night s Dream By William Shakespeare1882 Words   |  8 PagesWritten during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment. During the Elizabethan Era, and present throughout MNDRead MoreWilliam Shakespeare s A Midsummer Night s Dream1474 Words   |  6 Pagesinstance, one could look at the movies A Midsummer Night’s Dream and Shakespeare in Love. The latter follows the life of William Shakespeare himself, everything from his love affair with Viola de Lesseps to his creation of Romeo and Juliet. A Midsummer Night’s Dream, is one of the most famous plays of Shakespeare’s, revolving around the tumultuous relationships of four lovers, aided, and sometimes thwarted by the mischief of fairies. Although Shakespeare in Love outlines a few of the characteristicsRead MoreWilliam Shakespeare s A Midsummer Night s Dream1548 Words   |  7 Pagesspoken by Helena in Act 1 Scene 1 line 234, explains that it matters not what the eyes see but what the mind thinks it sees. In the play, A Midsummer Night s Dream, written by William Shakespeare, there are several instances where the act of seeing is being portrayed. The definition of vision is the ability to see, something you imagine or something you dream. This proves that even though one has the ability to see; the mind tends to interfere and sometimes presents a different picture. VariousRead MoreWilliam Shakespeare s A Midsummer Night s Dream867 Words   |  4 Pagesspecifically how they will benefit that other person, you’re in love.† In A Midsummer Night s Dream, William Shakespeare intertwined each individual characters. Through the concept of true love and presented to the audiences a twisted yet romantic love story. The love stories of Renaissance are richly colorful, so Shakespeare used multiple literary techniques to present to the readers a vivid image of true love. Shakespeare applied metaphor in the lines of Lysander. In Act 1, scene 1, Lysander saysRead MoreWilliam Shakespeare s A Midsummer Night s Dream990 Words   |  4 PagesSymbols in William Shakespeare’s A Midsummer Night’s Dream Symbols help to play an important part in giving a deeper meaning to a story. William Shakespeare uses a variety of symbols in his play A Midsummer Night’s Dream and by using these symbols he offers some insight onto why certain events take place in the play. Symbols are sometimes hard to decipher but as the reader continues to read the symbol’s meaning might become more clear. Shakespeare uses a variety of symbols in A Midsummer Night’s DreamRead MoreWilliam Shakespeare s A Midsummer Night s Dream1397 Words   |  6 PagesShakespeare’s comedies, like those of most Renaissance playwrights, involve love and its obstacles. Much of the comedy in A Midsummer Night’s Dream derives from the attempt of Lysander and Hermia to remain together while overcoming the adult authority figure who attempts to hinder the love of a young couple. The overcoming of an obstacle functions as a common motif in Renaissance comedy. The audience must wonder, however, whether Lysander and Hermia, as well as Demetrius and Helena, actually loveRead MoreWilliam Shakespeare s A Midsummer Night s Dream1207 Words   |  5 PagesWilliam Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerousRead MoreWilliam Shakespeare s A Midsummer Night s Dream1277 Words   |  6 Pagestogether. Nor will love ever be a controllable compulsion. Maybe we are fools for going into the perilous, eccentric universe of love; yet what fun would life be without it? William Shakespeare s play A Midsummer Night s Dream investigates the unconventional, unreasonable and unpredictable nature of love during his time. Shakespeare conveys this through the main plot of the play, which is composed of the relationships between three couples. The three couples show examples of three different types ofRead MoreWilliam Shakespeare s A Midsummer Night s Dream1442 Words   |  6 Pages William Shakespeare is estimated to have lived from 1564 to about 1616. He is often recognized as great English poet, actor, and playwright, and paved the way for many on all of those categories. Over that span he wrote many pieces that are still relevant today such as Romeo and Juliet, Hamlet, and Macbeth. I would like to take a deeper look into one on his pieces â€Å"A Midsummers Night’s Dream.† This piece is estimated to have first been preformed in about 1595 and then later published in 1600. Many A Midsummer Night s Dream By William Shakespeare Throughout time arranged marriages were the norm in several societies. In the comedy, A Midsummer Night’s Dream by William Shakespeare, Hermia is in love with Lysander, but her father wants her to marry Demetrius. She escapes into the woods with Lysander. Just like Hermia, many people around the world are forced to marry someone that their parents choose for them. Love marriage vs. Arranged marriage is always a debated topic. While there are instances of love marriages working out, there are arranged marriages which are successful too. Both have their pros and cons. And it is just the world around us which makes us support or be against a love marriage. Arranged marriages are based on the understanding of two families. The parents of the bride or groom get to pick their future partner. On the other hand, love marriages are more of an independent choice between the bride and groom. Giving them the freedom to marry someone they know and admire. There are different customs and tr aditions that are followed in different societal set-ups. Arrange marriages lack love and respect between husband and wife. Arranged marriages are a social injustice. They deprive individuals of their choice. Marriage is a commitment of two people who have made a vow to love each other till death. In the essay I will be debating the pro’s and con’s of arranged and love marriages. Arranged marriages occur all over the world and in some parts it is popular or compulsory and in others not so admired. MostShow MoreRelatedWilliam Shakespeare s A Midsummer Night s Dream1339 Words   |  6 PagesHonors For A Midsummer Night s Dream By William Shakespeare 1. Title of the book - The title of the book is called A Midsummer Night s Dream by William Shakespeare. 2. Author s name - The author of the book A Midsummer Night s Dream is William Shakespeare. 3. The year the piece was written - A Midsummer Night s Dream by William Shakespeare was believed to have been written between 1590-1596. 4. Major Characters - There are three major characters in the book A Midsummer Night s Dream by WilliamRead MoreA Midsummer Night s Dream By William Shakespeare1882 Words   |  8 PagesWritten during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment. During the Elizabethan Era, and present throughout MNDRead MoreWilliam Shakespeare s A Midsummer Night s Dream1474 Words   |  6 Pagesinstance, one could look at the movies A Midsummer Night’s Dream and Shakespeare in Love. The latter follows the life of William Shakespeare himself, everything from his love affair with Viola de Lesseps to his creation of Romeo and Juliet. A Midsummer Night’s Dream, is one of the most famous plays of Shakespeare’s, revolving around the tumultuous relationships of four lovers, aided, and sometimes thwarted by the mischief of fairies. Although Shakespeare in Love outlines a few of the characteristicsRead MoreWilliam Shakespeare s A Midsummer Night s Dream1548 Words   |  7 Pagesspoken by Helena in Act 1 Scene 1 line 234, explains that it matters not what the eyes see but what the mind thinks it sees. In the play, A Midsummer Night s Dream, written by William Shakespeare, there are several instances where the act of seeing is being portrayed. The definition of vision is the ability to see, something you imagine or something you dream. This proves that even though one has the ability to see; the mind tends to interfere and sometimes presents a different picture. VariousRead MoreWilliam Shakespeare s A Midsummer Night s Dream867 Words   |  4 Pagesspecifically how they will benefit that other person, you’re in love.† In A Midsummer Night s Dream, William Shakespeare intertwined each individual characters. Through the concept of true love and presented to the audiences a twisted yet romantic love story. The love stories of Renaissance are richly colorful, so Shakespeare used multiple literary techniques to present to the readers a vivid image of true love. Shakespeare applied metaphor in the lines of Lysander. In Act 1, scene 1, Lysander saysRead MoreWilliam Shakespeare s A Midsummer Night s Dream990 Words   |  4 PagesSymbols in William Shakespeare’s A Midsummer Night’s Dream Symbols help to play an important part in giving a deeper meaning to a story. William Shakespeare uses a variety of symbols in his play A Midsummer Night’s Dream and by using these symbols he offers some insight onto why certain events take place in the play. Symbols are sometimes hard to decipher but as the reader continues to read the symbol’s meaning might become more clear. Shakespeare uses a variety of symbols in A Midsummer Night’s DreamRead MoreWilliam Shakespeare s A Midsummer Night s Dream1397 Words   |  6 PagesShakespeare’s comedies, like those of most Renaissance playwrights, involve love and its obstacles. Much of the comedy in A Midsummer Night’s Dream derives from the attempt of Lysander and Hermia to remain together while overcoming the adult authority figure who attempts to hinder the love of a young couple. The overcoming of an obstacle functions as a common motif in Renaissance comedy. The audience must wonder, however, whether Lysander and Hermia, as well as Demetrius and Helena, actually loveRead MoreWilliam Shakespeare s A Midsummer Night s Dream1207 Words   |  5 PagesWilliam Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerousRead MoreWilliam Shakespeare s A Midsummer Night s Dream1277 Words   |  6 Pagestogether. Nor will love ever be a controllable compulsion. Maybe we are fools for going into the perilous, eccentric universe of love; yet what fun would life be without it? William Shakespeare s play A Midsummer Night s Dream investigates the unconventional, unreasonable and unpredictable nature of love during his time. Shakespeare conveys this through the main plot of the play, which is composed of the relationships between three couples. The three couples show examples of three different types ofRead MoreWilliam Shakespeare s A Midsummer Night s Dream1442 Words   |  6 Pages William Shakespeare is estimated to have lived from 1564 to about 1616. He is often recognized as great English poet, actor, and playwright, and paved the way for many on all of those categories. Over that span he wrote many pieces that are still relevant today such as Romeo and Juliet, Hamlet, and Macbeth. I would like to take a deeper look into one on his pieces â€Å"A Midsummers Night’s Dream.† This piece is estimated to have first been preformed in about 1595 and then later published in 1600. Many A Midsummer Night s Dream By William Shakespeare Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it. The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her â₠¬Å"with pomp, with triumph, with reveling,† true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, EgeusShow MoreRelatedWilliam Shakespeare s A Midsummer Night s Dream1339 Words   |  6 PagesHonors For A Midsummer Night s Dream By William Shakespeare 1. Title of the book - The title of the book is called A Midsummer Night s Dream by William Shakespeare. 2. Author s name - The author of the book A Midsummer Night s Dream is William Shakespeare. 3. The year the piece was written - A Midsummer Night s Dream by William Shakespeare was believed to have been written between 1590-1596. 4. Major Characters - There are three major characters in the book A Midsummer Night s Dream by WilliamRead MoreA Midsummer Night s Dream By William Shakespeare1882 Words   |  8 PagesWritten during the Elizabethan era where gender roles played an important part in society and relationships, A Midsummer Night’s Dream by William Shakespeare portrays the interaction between both sexes, and the women’s response to the expectation of such norms. Although the characters: Hippolyta, Hermia, Helena, and Titania, are portrayed as objects (both sexual and material) contingent upon their male lovers, they are also given empowerment. During the Elizabethan Era, and present throughout MNDRead MoreWilliam Shakespeare s A Midsummer Night s Dream1474 Words   |  6 Pagesinstance, one could look at the movies A Midsummer Night’s Dream and Shakespeare in Love. The latter follows the life of William Shakespeare himself, everything from his love affair with Viola de Lesseps to his creation of Romeo and Juliet. A Midsummer Night’s Dream, is one of the most famous plays of Shakespeare’s, revolving around the tumultuous relationships of four lovers, aided, and sometimes thwarted by the mischief of fairies. Although Shakespeare in Love outlines a few of the characteristicsRead MoreWilliam Shakespeare s A Midsummer Night s Dream1548 Words   |  7 Pagesspoken by Helena in Act 1 Scene 1 line 234, explains that it matters not what the eyes see but what the mind thinks it sees. In the play, A Midsummer Night s Dream, written by William Shakespeare, there are several instances where the act of seeing is being portrayed. The definition of vision is the ability to see, something you imagine or something you dream. This proves that even though one has the ability to see; the mind tends to interfere and sometimes presents a different picture. VariousRead MoreWilliam Shakespeare s A Midsummer Night s Dream867 Words   |  4 Pagesspecifically how they will benefit that other person, you’re in love.† In A Midsummer Night s Dream, William Shakespeare intertwined each individual characters. Through the concept of true love and presented to the audiences a twisted yet romantic love story. The love stories of Renaissance are richly colorful, so Shakespeare used multiple literary techniques to present to the readers a vivid image of true love. Shakespeare applied metaphor in the lines of Lysander. In Act 1, scene 1, Lysander saysRead MoreWilliam Shakespeare s A Midsummer Night s Dream990 Words   |  4 PagesSymbols in William Shakespeare’s A Midsummer Night’s Dream Symbols help to play an important part in giving a deeper meaning to a story. William Shakespeare uses a variety of symbols in his play A Midsummer Night’s Dream and by using these symbols he offers some insight onto why certain events take place in the play. Symbols are sometimes hard to decipher but as the reader continues to read the symbol’s meaning might become more clear. Shakespeare uses a variety of symbols in A Midsummer Night’s DreamRead MoreWilliam Shakespeare s A Midsummer Night s Dream1397 Words   |  6 PagesShakespeare’s comedies, like those of most Renaissance playwrights, involve love and its obstacles. Much of the comedy in A Midsummer Night’s Dream derives from the attempt of Lysander and Hermia to remain together while overcoming the adult authority figure who attempts to hinder the love of a young couple. The overcoming of an obstacle functions as a common motif in Renaissance comedy. The audience must wonder, however, whether Lysander and Hermia, as well as Demetrius and Helena, actually loveRead MoreWilliam Shakespeare s A Midsummer Night s Dream1207 Words   |  5 PagesWilliam Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerousRead MoreWilliam Shakespeare s A Midsummer Night s Dream1277 Words   |  6 Pagestogether. Nor will love ever be a controllable compulsion. Maybe we are fools for going into the perilous, eccentric universe of love; yet what fun would life be without it? William Shakespeare s play A Midsummer Night s Dream investigates the unconventional, unreasonable and unpredictable nature of love during his time. Shakespeare conveys this through the main plot of the play, which is composed of the relationships between three couples. The three couples show examples of three different types ofRead MoreWilliam Shakespeare s A Midsummer Night s Dream1442 Words   |  6 Pages William Shakespeare is estimated to have lived from 1564 to about 1616. He is often recognized as great English poet, actor, and playwright, and paved the way for many on all of those categories. Over that span he wrote many pieces that are still relevant today such as Romeo and Juliet, Hamlet, and Macbeth. I would like to take a deeper look into one on his pieces â€Å"A Midsummers Night’s Dream.† This piece is estimated to have first been preformed in about 1595 and then later published in 1600. Many

Religion as a cause of IntraState War Free Essays

Disputes and disagreements over religious beliefs have been and continue to be one of the main sources of conflict, civil war, terrorism and even genocide in the modern world. As the noted theologian Hans Kà ¼ng has said: â€Å"There will be no peace among the peoples of the world without peace among the world religions.† (Shaefer,2004) Religious practices and beliefs have often been at the center of conflicts throughout history. We will write a custom essay sample on Religion as a cause of IntraState War or any similar topic only for you Order Now    Religious conflict can involve two or more completely different religions or can rip apart one religion from within.   Religious beliefs are so deeply engrained into cultures that conflicts arise with change or when religions come into contact.   Even if the differences are minor, followers of all religions can become fervent when threatened.   In short, religion is something worth fighting for, according to history.   However, possibly one of the greatest ironies is that religious conflict usually goes against the teachings of the religions involved.   Imagine the strength of religion when war and violence are justifiable only when defending the faith, a faith that promotes good-will, peace, and the acceptance of others. â€Å"The fact that religion appears in such colorful variety – that there is not one single religion but a plurality – has always been a source of irritation for people,† writes Dr. Schaefer, laying out the problem. â€Å"Religions are in many ways similar, and yet they are so different; there is much which unites them, but also much which divides them. This is indeed irritating. All the world religions teach that there is only one ultimate reality, which we call God. If that is so, there can logically only be one truth: But if there is only one truth, why are there so many religions?† (Shaefer, 2004) â€Å"Once started religious strife has a tendency to go on and on, to become permanent feuds. Today we see such intractable inter-religious wars in Northern Ireland, between Jews and Muslims and Christians in Palestine, Hindus and Muslims in South Asia and in many other places. Attempts to bring about peace have failed again and again. Always the extremist elements invoking past injustices, imagined or real, will succeed in torpedoing the peace efforts and bringing about another bout of hostility.† Datuk Seri Dr Mahathir Mohamad, Prime Minister of Malaysia, addressing the World Evangelical Fellowship on 2001-MAY-4 In the Philippines, the migration of Christians settlers   to Mindanao and the transmigration program favoring the Christians causes intrastate conflict.   Furthermore, the under-representation of the Muslim in most categories of public service also brings conflict to Christians and Muslims in the Philippines. States have tended to approach religious opposition tactically rather than strategically. Countries such as Saudi Arabia and Pakistan have focused on short-term political gains using the most expedient tools available to counter religious opposition – from concessions on social issues to crackdowns on political opposition. The history of changing and shortsighted state policies toward religious opposition suggests these approaches are not sustainable in the long term. Nor have states shown much success in managing the spiritual/ideological dimension of conflict once it has begun – even if they started to stir religious passions in the first place. Increasingly, religion is both an identifiable source of violence around the world and simultaneously so deeply interwoven into other sources of violence — including economic, ideological, territorial, and ethnic sources — that it is difficult to isolate.(Treverton, Gregg, Giblan Yost, 2005) WARS WITH A RELIGIOUS DIMENSION( Gantzel et al., (1993) 1. Mayanamar/Burma 1948 Buddhists vs. Christians 2. Israel/Palestinian 1968 Jews vs. Arabs )Muslims-Christians) 3. Northern Ireland 1969 Catholic vs. Protestants 4. Philippines (Mindanao) 1970 Muslims vs. Christians (Catholics) 5. Bangladesh 1973 Buddhists vs. Christians 6. Lebanon 1975 Shiites supported by Syria (Amal) vs. Shiites supported by Iran (Hezbollah) 7. Ethiopia (Oromo) 1976 Muslims vs. Central government 8. India (Punjab) 1982 Sikhs vs. Central government 9. SudanWITH 1983 Muslims vs. Native religions 10. Mali-Tuareg Nomads 1990 Muslims vs. Central government 11. Azerbejdan 1990 Muslims vs. Christian Armenians 12. India (Kasjmir) 1990 Muslims vs. Central government (Hindu) 13. Indonesia (Aceh) 1990 Muslims vs. Central government (Muslim) 14. Iraq 1991 Sunnites vs. Shiites 15. Yugoslavia (Croatia) 1991 Serbian orthodox Christians vs. Roman Catholic Christians 16. Yugoslavia (Bosnia) 1991 Orthodox Christians vs. Catholics vs. Muslims 17. Afghanistan 1992 Fundamentalist Muslims vs. Moderate Muslims 18. Tadzhikistan 1992 Muslims vs. Orthodox Christians 19. Egypt 1977 Muslims vs. Central government (Muslim) Muslims vs. Coptic Christians 20. Tunesia 1978 Muslims vs. Central government (Muslim) 21. Algeria 1988 Muslims vs. Central government 22. Uzbekisgtan 1989 Sunite Uzbeks vs. Shiite Meschetes 23. India (Uthar- Pradesh) 1992 Hindus vs. Muslims 24. Sri Lanka 1983 Hindus vs. Muslims Hunttington (1993) xpects more conflicts along the cultural-religious fault lines because (1) those differences have always generated the most prolonged and the most violent conflicts; (2) because the world is becoming a smaller place, and the increasing interactions will intensify the civilization- consciousness of the people which in turn invigorates differences and animosities stretching or thought to stretch back deep in history; (3) because of the weakening of the nation-state as a source of identity and the desecularisation of the world with the revival of religion as basis of identity and commitment that transcends national boundaries and unites civilizations; (4) because of the dual role of the West. On the one hand, the West is at the peak of its power. At the same time, it is confronted with an increasing desire by elites in other parts of the world to shape the world in non-Western ways; (5) because cultural characteristics and differences are less mutable and hence less e asily compromised and resolved than political and economic ones; (6) finally, because increasing economic regionalism will reinforce civilization-consciousness. It is clear that the causes of religious wars and other religion related violence have not disappeared from the face of the earth. Some expect an increase of it. Efforts to make the world safe from religious conflicts should then also be high on the agenda. Religious actors should abstain from any cultural and structural violence within their respective organizations and handle inter-religious or denominational conflict in a non-violent and constructive way. This would imply several practical steps, such as a verifiable agreement not to use or threaten with violence to settle religious disputes. It must be possible to evaluate religious organizations objectively with respect to their use of physical, structural or cultural violence. A yearly overall report could be published. Another step would be furthering the ‘depolitisation’ of religion. Power also corrupts religious organizations. In addition, depolitisation of religion is a major precondition for the political inte gration of communities with different religions. Religious organizations can also influence the conflict dynamics by abstaining from intervention. As most conflicts are ‘asymmetrical’, this attitude is partial in its consequences. It is implicitly reinforcing the ‘might is right’ principle. During the Second World War, the Vatican adopted a neutral stand. It didn’t publicly disapprove of the German atrocities in Poland or in the concentration camps. To secure its diplomatic interests, Rome opted for this prudence and not for an evangelical disapproval. The role of bystanders, those members of the society who are neither perpetrators nor victims, is very important. Their support, opposition, or indifference based on moral or other grounds, shapes the course of events. An expression of sympathy or antipathy of the head of the Citta del Vaticano, Pius XII, representing approximately 500 million Catholics, could have prevented a great deal of the violence. The mobilization of the internal and external bystanders, in the face of the mistreatment of individuals or communities, is a major challenge to religious organizations. To realize this, children and adults, in the long run, must develop certain personal characteristics such as a pro-social value orientation and empathy. Religious organizations have a major responsibility in creating a worldview in which individual needs would not be met at the expense of others and genuine conflicts would not be resolved through aggression (Fein, 1992). References Fein, Helen, ed. 1992. Genocide watch. New Haven: Yale University Press. Gantzel, Klaus, Jà ¼rgenTorsten Schwinghammer, Jens Siegelberg. 1993. Kriege der Welt. Ein systematischer Register kriegerischen Konflikte 1985 bis 1992. Bonn: Stiftung Entwicklung und frieden. Huntington, Samuel. 1993. The clash of Civilizations? New York: Foreign Affairs. Shaefer, Udo 2004 Beyond the Clash of Religions:The Emergence of a New Paradigm.   Zero Palm Press. Prague. Treverton, G. et al.   2005.   Exploring Religious Conflicts.   Rand Coporation: CA, http://www.rand.org/pubs/conf_proceedings/2005/RAND_CF211.pdf Varennes, F. Recurrent Challenges to the Implementation of Intrastate Peace Agreements: The Resistance of State Authorities.   New Balkan Politics Issue 7/8. http://www.newbalkanpolitics.org.mk/napis.asp?id=21lang=English â€Å"Prime minister of Malaysia calls for end to inter-religious strife,† 2001-MAY-5, at: http://www.worldevangelical.org/default.htm. How to cite Religion as a cause of IntraState War, Essay examples